Question and Answer on Contemporary Social Issues Essay

1. One of the most significant changes taking place in the past few decades, the one that has had a pronounced effect on millions of families, causing considerable concern, has been the movement of women into the workplace. This change has had momentous effects on women, on children, on men, on marital relations- on families. Since 1970s, according to the demand for low-paying â€Å"pink-collar†, women moved into those pink-collar jobs and into other jobs as well. The number of hiring women has steadily increased, so in 1960, 32 percent of married women in the labor force. By 1985, this figure had climbed to 54 percent, and in 2005, it stood at 61 percent. Work allows women to become independent, to develop a career, and terminate†¦show more content†¦This belief presumes the preexistence of equal opportunity, which can be easily refuted. The vast majority of street crimes- both violent and nonviolent- are poor. The values of individualism, competition, and financial success provide powerful motivation to succeed by any mean necessary. The United Sates is far more willing to incarcerate nonviolent offenders than most other industrialized nations, and it dispenses longer sentences to offenders than do other industrialized nations. The correctional system is growing at such a rapid pace that only in recent years have criminologists and social commentators become concerned with the political power of the correctional industry. Today, there are a number of interests, other than the public interest, that are served by correctional expansion. Many rural areas with depressed economies and high employment rates have benefitted and stand to benefit from prison construction. Furthermore, both governmental institutions and private corporations reap enormous cost saving form prison labor. 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IHC distribution Center Operations Review on Supply Chain...

Operations Review on Waste Reduction, Cost Reduction and Process This memo will discuss the efficient ways that Supply Chain Management, Inventory, and Logistics have been successfully implemented in the Intermountain Healthcare Supply Chain Center. Peggy Lee, Card Program Manager at IHC led the tour in the Supply Chain Center. The goal of IHC distribution center is reduce waste, cost and centralized the high volume supplies in one location and distribute across all their facilities. This gives Intermountain better control of their inventories and negotiation advantages. Using these methods has had a great impact in waste reduction, quality and cost savings. Supply Chain infrastructure is an important process at Intermountain†¦show more content†¦These activities have a time set when they can be performed. They have divided morning to receive delivery from 4am to 12pm; all deliveries are done on a schedule, as well as pickups, pick up activities begin at 12pm. This is to increase efficiency of the location and the use of resources, thus reducing the chance of error and process flows. In addition, order placement is another key process. All IHC facilities must have their entire orders placed by 11:00 am every day to ensure order fulfillment. One other advantage at the supply chain facility is that it is built to allow shipments to be cross-docking. So, instead of products being housed they are immediately moved to another truck to deliver to the final destination. Logistics processes in this facility are designed to make resources more efficient and allow them to eliminate costs. IHC has increased their success by implementing new strategies on supply chain management, logistics and inventory. They have been able to cut costs and increase efficiencies in inventory on internal orders. Along with inventory, IHC has an added savings by testing for effectiveness of new products when negotiating with suppliers in the mock up room. By having this kind of interaction with supplies, ensures that the products will meet their needs and will contribute to their efficiency. They have also modified their logistics by reducing the number of tripsShow MoreRelatedDeveloping Management Skills404131 Words   |  1617 Pagesis an online assessment and preparation solution for courses in Principles of Management, Human Resources, Strategy, and Organizational Behavior that helps you actively study and prepare material for class. Chapter-by-chapter activities, including built-in pretests and posttests, focus on what you need to learn and to review in order to succeed. Visit www.mymanagementlab.com to learn more. DEVELOPING MANAGEMENT SKILLS EIGHTH EDITION David A. Whetten BRIGHAM YOUNG UNIVERSITY Kim S.

Essay on Mitigation Strategies and Solutions for Global...

Mitigation Strategies and Solutions for Global Warming By Julie Purvis June 13, 2010 SCI 275 Mitigation Strategies and Solutions for Global Warming page 2 Take a look at the world around us and think what it may look like in 20 years. Every day this environment is changing and not always for the better. Things we do in everyday life are destroying our environment. For instance, driving cars, using electricity from coal-fired powerplants, or heating our homes with oil or natural gas, all have devastating affects on our environment. One of those affects is global warming. There are people who dispute the effects of global warming, but scientist have proven that levels†¦show more content†¦CFCs are used in refrigerators and aerosols (n.d. Global Warming and the Greenhouse Effect). Cutting down our forests is another human activity that contributes to global warming. Trees could take in the carbon dioxide and convert it to oxygen. 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Concentrating on act 3 scene 1 of Shakespeares Romeo and Juliet Essay Example For Students

Concentrating on act 3 scene 1 of Shakespeares Romeo and Juliet Essay Concentrating on act 3 scene 1 of Shakespeares Romeo and Juliet, how effective do you think the Zeffirelli and Luhrmann film versions are in relation to your own interpretation of the play? Shakespeares tragic tale of two star-crossd lovers has survived centuries of political and social upheaval to become one of the most popular and well-known plays of all time. Both Zeffirelli and Luhrmann have seized this opportunity to put their stamp on a literary landmark. It is important to recognise the original context before examining the film versions. Shakespeare set the play in the 16th century, in the Mediterranean city of Verona. Zeffirelli adapted his 1968 version to the 13th century, in the dry, dusty streets of pseudo-Italia. Luhrmann took an entirely different approach with his 1997 film, with a mixture of futurism and kitsch that leads us to doubt the exact era, whilst incorporating the Italian setting into a place of his own devising, Verona Beach. In this way Luhrmann could manipulate the text to suit the setting, while gaining the empathy of both his demanding generation-x audience, and the more critical students of the original play. This scene is pivotal to the rest of the play, as without it there would be no tragedy. However, within the scene there is much ambiguity surrounding tone and the relationship between characters, as well as the continuous references to Fate. This has provided the two filmmakers with much scope for interpretation, as well as giving them the challenge of portraying such a well-known play in an entirely new light. Fate is a key influence in most Shakespearean plays, being a handy and irrefutable scapegoat for any otherwise anomalous events. In this play the role of fate is intertwined with the catalysis of the characters actions, so that one could argue it is entirely responsible, or has nothing to do with, the tragic ends to the play, according to which theory best suits your point. This is best illustrated by a line in the chorus: from forth the fatal loins of these two foes. Fatal has two meanings- predestined and deadly. With this one line Shakespeare manages to sum up the play in its entirety- the malicious actions of the parents leads to the inevitable death of their children. There are many changes of tone within this scene, centred mainly around Romeos entrances and exits. The beginning of the scene is playful, with Mercutio taunting Benvolio about his tendency to quarrel. Mercutio accuses Benvolio of being as hot a jack in mood as any in Italy! Benvolio is known to be an incurable peacekeeper from his earlier actions, and so at surface-level this conversation may seem contradictory of the rest of the play. However, soon after one realises that this is really a reference to Mercutio himself, and that the scene is prophetic of events to come. Shakespeare manipulates Mercutio heavily in the opening lines, when he predicts that If we were to have two such , we should have none shortly, for one would kill the other! The irony of this statement is played out later, when a playfight between Mercutio and Tybalt results in both their deaths. This theme of prophecy ties in with the universal theme of Fate. The first noticeable change of tone in the original text comes with Tybalts confrontation of Mercutio. However, the original text is ambiguous in that the wordplay between Mercutio and Tybalt at that point suggests that there is no real aggression involved in the fight. The verbal sparring between the characters suggests that this kind of confrontation has occurred frequently before, without it resulting in violence. .uafdf5944e829ac7a8658a07601e9e1f4 , .uafdf5944e829ac7a8658a07601e9e1f4 .postImageUrl , .uafdf5944e829ac7a8658a07601e9e1f4 .centered-text-area { min-height: 80px; position: relative; } .uafdf5944e829ac7a8658a07601e9e1f4 , .uafdf5944e829ac7a8658a07601e9e1f4:hover , .uafdf5944e829ac7a8658a07601e9e1f4:visited , .uafdf5944e829ac7a8658a07601e9e1f4:active { border:0!important; } .uafdf5944e829ac7a8658a07601e9e1f4 .clearfix:after { content: ""; display: table; clear: both; } .uafdf5944e829ac7a8658a07601e9e1f4 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uafdf5944e829ac7a8658a07601e9e1f4:active , .uafdf5944e829ac7a8658a07601e9e1f4:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uafdf5944e829ac7a8658a07601e9e1f4 .centered-text-area { width: 100%; position: relative ; } .uafdf5944e829ac7a8658a07601e9e1f4 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uafdf5944e829ac7a8658a07601e9e1f4 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uafdf5944e829ac7a8658a07601e9e1f4 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uafdf5944e829ac7a8658a07601e9e1f4:hover .ctaButton { background-color: #34495E!important; } .uafdf5944e829ac7a8658a07601e9e1f4 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uafdf5944e829ac7a8658a07601e9e1f4 .uafdf5944e829ac7a8658a07601e9e1f4-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uafdf5944e829ac7a8658a07601e9e1f4:after { content: ""; display: block; clear: both; } READ: Contracts and procurement EssayLuhrmanns use of a black actor to play Mercutio provides an opportunity for an aggressive tone to be introduced earlier in the scene than in the original text. When Tybalt says thou consortst with Romeo Mercutio takes it to be a reference to his race, in that his response what, does thou make us minstrels? refers to the black and white minstrels that existed at the turn of the 20th century, rather than a troupe of jugglers, which would be the context of Shakespeares time. Zeffirelli places heavy emphasis on the heat of the day, directing Mercutio to mop his face with a handkerchief. The humidity of the scene is pivotal because it causes Mercutio to climb into a fountain to cool off, thereby providing an opportunity for Tybalt to splash him, and start the fight that results in both their deaths. Zeffirelli is aided in setting his scene by Benvolios line for now these hot days, is the mad blood stirring. The Shakespearean connotations of madness are very different to present-day, and madness (any unusual or socially unacceptable behaviour) was attributed to everything from diet to climate. Therefore it would have been perfectly reasonable at the time to conjecture that Tybalt is mad because of the heat. Luhrmann interprets the role of fate as religious destiny, with the continuous appearance of icons of Christ and the Madonna at pivotal moments in the film. There is also the heavy irony that is typical of Luhrmanns other films, in that these images appear on the most unlikely objects (i.e. guns). The film also implies that Romeos fate is synonymous with Christs. At the end of act three scene one Romeo cries, I am fortunes fool. In the same way that the play is described as fated, the death of Christ is held by believers to be predestined. Luhrmann ends the scene with a shot of Romeo stretching his arms out in the manner of a crucifix, and then an opening shot in the next scene of a church spire crowned by an icon of Christ on the cross, a resemblance that can in no way be misinterpreted. In the same way that guns figure as precedents for tragedy in the Luhrmann version, Zeffirelli uses bell ringing to precede turning points in the play. There are church bells tolling in the background at the beginning of the scene, a reminder of the marriage that has just taken place. Bells also close the scene, being audible just after the death of Tybalt. One of the things characteristic of all Shakespeares texts is his choice of language to convey something about the personalities of his characters. This may be in the name (i.e. Benvolio, from the Italian ben voglio, meaning good will), or the choice of phrase. The language of war that runs throughout the scene is important both to portray aggression and give a sense of impending doom. Mercutios line, Marry, go before to field, hell be your follower, is a reference to the battlefield. The second tone change comes when Mercutio challenges Tybalt to a duel, when it reverts to the playful taunting we saw at the beginning of the scene. Mercutio cries Tybalt, you rat-catcher, will you walk?, in this way distracting him from his intended fight with Romeo. The way the challenge is delivered suggests that it isnt particularly aggressive, but it is important that Romeo misinterprets the tone in order that he intervenes and gives Tybalt the chance to deal a fatal blow to Mercutio. The characterisation in the text and the subsequent actions of Tybalt, Romeo and Mercutio suggests that Tybalt seizes the opportunity to stab Mercutio during Romeos intervention, and then flees, aghast. The stage direction is Tybalt under Romeos arm thrusts Mercutio in; and flies. This kind of action would appear to a Shakespearean audience as the result of mad blood stirring on a sweltering day. .u7d7582b993e238ca80636353b9415947 , .u7d7582b993e238ca80636353b9415947 .postImageUrl , .u7d7582b993e238ca80636353b9415947 .centered-text-area { min-height: 80px; position: relative; } .u7d7582b993e238ca80636353b9415947 , .u7d7582b993e238ca80636353b9415947:hover , .u7d7582b993e238ca80636353b9415947:visited , .u7d7582b993e238ca80636353b9415947:active { border:0!important; } .u7d7582b993e238ca80636353b9415947 .clearfix:after { content: ""; display: table; clear: both; } .u7d7582b993e238ca80636353b9415947 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7d7582b993e238ca80636353b9415947:active , .u7d7582b993e238ca80636353b9415947:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7d7582b993e238ca80636353b9415947 .centered-text-area { width: 100%; position: relative ; } .u7d7582b993e238ca80636353b9415947 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7d7582b993e238ca80636353b9415947 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7d7582b993e238ca80636353b9415947 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7d7582b993e238ca80636353b9415947:hover .ctaButton { background-color: #34495E!important; } .u7d7582b993e238ca80636353b9415947 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7d7582b993e238ca80636353b9415947 .u7d7582b993e238ca80636353b9415947-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7d7582b993e238ca80636353b9415947:after { content: ""; display: block; clear: both; } READ: Interesting and exciting in Romeo and Juliet EssayIn the Zeffirelli film version the youthfulness of the characters and their horror at Mercutios death implie uld kill Mercutio underhandedly, rather than wound him honourably through an accident. The third and final change of mood comes after Mercutio has been wounded. Mercutio says, Help me into some house, Benvolio. This would have been a real blow for Romeo, who up until now would have considered himself to be Mercutios best friend. This is the first death in the play, giving implications that there will be more, and setting the scene for the tragedy. Mercutios dying words, A plague on both your houses! are prophetic of the lovers fate and their families grief. In the Luhrmann film version Mercutio is a very aggressive and obnoxious character, whereas in the original text Shakespeare intended the character to engage the sympathy of the audience through his playfulness and loyalty to Romeo. Zeffirelli remains true to the play in this respect, making Mercutios death scene a very moving moment. The Zeffirelli film lingers on the irony of Mercutios words, Ask for me tomorrow and you shall find me a grave man, where, although the audience understand the gravity of the situation, Mercutios companions believe him to be acting, until he is actually dead. The Zeffirelli version is very true to the Shakespearian text, both in and portrayal and characterisation. The youth and innocence of the characters draws the sympathy of the audience, making the tragedy all the more poignant. However, it fails to challenge any preconceptions about the play, adhering to the usual interpretation of the themes and characters. Luhrmann injects a controversial aspect to his characters, seizing on the ambiguity of many events that occur within the original stage version to make his mark on the play. The flamboyance of his Mercutio made his death all the more ironic, in that the character had a degree of invincibility about him. My interpretation of the play ties in closely with the Zeffirelli version. However, saying that, I believe the Luhrmann version was a far more entertaining screen adaptation, being accessible to everyone, regardless of whether they had read the play or not. Mass appeal is, ultimately, what films are about, and Luhrmann has incorporated all the aspects of a blockbuster with the timeless appeal of Shakespeare.